mit »zwischen den runden« ist das letzte kettcar-album nun bereits fünf jahre her. drei jahre liegt auch »konfetti«, das solodebüt von sänger marcus wiebusch, zurück.
deshalb dürfen wir uns 2017 besonders über das neue album der hamburger indierocker freuen. »ich vs. wir« heißt die mittlerweile fünfte studioplatte von kettcar.
elf songs hat die band dafür geschrieben und aufgenommen. die produktion übernahm philipp steinke (bosse, revolverheld, mark forster).
limitierte special-lp mit gestanztem gatefold-cover und booklet im lp-format plus downloadcode.

a super talented romanian artist moratu joins the label complatt with this enormous ep -efect de sunet- that brings us all his amazing notes, way of thinking, his vision, his underground attitude. this record contains of 3 amazing tracks that must be played on the very best underground parties only. vinyl only format, no digital promo or digital release afterwards, no further re-press.

the main man from the deep tech scene, our friend and the family member, johnny davison from the uk, breaks into the vinyl scene with his vinyl only picks, his incredible vision, his underground notes and sounds. this guy is quite known by bringing some very deep and unique, danceable and glamorous music at the same time. we ve been waiting for this release for quite long and this release is super important to the label complatt in general. enjoy mr. johnny davison with us and stay tuned!
vinyl only format, black anti-static inner-sleeve with a label window, white labels, hand-stamp, no digital promo or digital release afterwards, no further re-press.

2017 was a serious year for von d, with releases on a number of great labels including our long-format imprint khaliphonic, plus amar, moonshine, lion charge and more. for zamzam, von d has delivered “over” -- a brooding, burning 140 anthem providing serious heat as we head into the dark winter months. “over” features a powerful half-time reggae riddim built from von d’s signature warm, enveloping bass and restrained but powerful drums. tambourine and guiro add flavor while the snares slap, and meekman’s kete drum rocks throughout, adding a swing and live feeling missing from many contemporary in-the-box sound system tunes. melodica and synth skank in unison, underpinning a dizzying spread of analog signals & sonics...

blind delon debuted back in 2016 with -edouard ep-. after a sold out and a lot of love and great acceptance of specialized press the french duo presents 4 new remixes of the main track -edouard- signed by kareem, synths versus me, i hate models and violet poison. -edouard remixed- will be presented on 12&#8243,, ep format and produced in a one-off truly limited edition of 300 copies lacquered pressed on 180 gr. high quality solid black vinyl. all tracks have been specially mastered and remastered for long cut vinyl by eric van wonterghem.

the dark side mixes is a compilation of new official mixes by dj dark side (marcelo carreira) of 4 cold and post-punk super classics, including venerated cuts by eleven pond, silence gift, mecano and parade ground remixed and remastered for this occasion.... it arrives presented on 12&#8243,,, ep format and produced in a one-off truly limited edition of 300 copies lacquered pressed on 180 gr. high quality solid black vinyl. all tracks have been specially remastered for long cut vinyl by eric van wonterghem.

an ultimate collection of art, photo and design works from axis records ina 320 page 30 x 30 cm hard cover book with a usb card of 30 tracks selected by jeff mills to represent the history of axis records between 1992 - 2012. format: 30x 30cm hard cover (dust jacket) book with a usb card inserted inside the book. 320 pages of history of axis records focusing on its design and art. 300 pages of art/photographs and graphics and 20 pages of english texts. book weight: approx 7.5lbs

a diverse techno e.p, each track suitable for a specific time, place & audience.
everything’s possible, nothing has to be, probably best describes the current selection. while artik brutally transforms the industrial into the techno format, chris moss acid and spaceinvasion ride the 303. the former combines analog-synths with repetitive peaktime-techno, while spaceinvasion interprets this through a sluggish, yet no less brutal, flow. lastly, lucindo scatters nuances of trance. rave!

1x innenhüllen für 12 inch vinyls, kraftpapier 80 g, gefuettert, ohne eckenschnitt, format 309x301/304, 2 mittellöcher versetzt

100x innenhüllen für 12 inch vinyls, kraftpapier 80 g, gefuettert, ohne eckenschnitt, format 309x301/304, 2 mittellöcher versetzt

100x innenhüllen für 12 inch vinyls, kraftpapier 80 g, gefuettert, ohne eckenschnitt, format 309x301/304, 2 mittellöcher versetzt

1x innenhüllen für 12 inch vinyls, kraftpapier 70 g, gefuettert, mit eckenschnitt, format 309x301/304, 2 mittellöcher versetzt

20x innenhüllen für 12 inch vinyls, kraftpapier 70 g, gefuettert, mit eckenschnitt, format 309x301/304, 2 mittellöcher versetzt

1x innenhüllen für 12 inch vinyls, kraftpapier 70 g, ungefuettert, ohne eckenschnitt, format 309x301/304, 2 mittellöcher versetzt

20x innenhüllen für 12 inch vinyls, kraftpapier 70 g, ungefuettert, ohne eckenschnitt, format 309x301/304, 2 mittellöcher versetzt

1x innenhüllen für 12 inch vinyls, kraftpapier 70 g, ungefuettert, ohne eckenschnitt, format 309x301/304, 2 mittellöcher versetzt

1x innenhülle für 12 inch vinyls, kraftpapier 70 g, ungefuettert, mit eckenschnitt, format 309x301/304, 2 mittellöcher versetzt

20x innenhüllen für 12 inch vinyls, kraftpapier 70 g, ungefuettert, mit eckenschnitt, format 309x301/304, 2 mittellöcher versetzt

100x innenhüllen für 12 inch vinyls, kraftpapier 70 g, ungefuettert, mit eckenschnitt, format 309x301/304, 2 mittellöcher versetzt

debut album by the keinemusik crue! double vinyl album format including 10 brand new tracks by rampa, adam port, &me. including download coupon of the digital album. the front side of the cover is hidden beneath a black varnish that can be removed by rubbing it with your fingers.

wah wah 45s are very proud to announce their first foray into the format of the future-retro fan – the cassette. and who better to deliver our debut release on this cult medium, than our very own electronic beat makers and hip hop nerds, paper tiger. over the last four years, the leeds and london based crew have been quietly pasting together some of the more interesting and subversive off-cuts and live interludes that were recorded around their two lp releases.

innenhüllen für 12 inch vinyls, papier blau 80 g, gefuttert, mit eckenschnitt (damit kommt die plate leichter ins cover), format 309x301/304, 2 mittellöcher versetzt

20er pack innenhüllen für 12 inch vinyls, papier blau 80 g, gefuttert, mit eckenschnitt (damit kommt die plate leichter ins cover), format 309x301/304, 2 mittellöcher versetzt

100er pack innenhüllen für 12 inch vinyls, papier blau 80 g, gefuttert, mit eckenschnitt (damit kommt die plate leichter ins cover), format 309x301/304, 2 mittellöcher versetzt

innenhüllen für 12 inch vinyls, papier blau 80 g, gefu&#776,,,ttert, ohne eckenschnitt, format 309x301/304, 2 mittellöcher versetzt

20er pack, innenhüllen für 12 inch vinyls, papier blau 80 g, gefu&#776,,,,ttert, ohne eckenschnitt, format 309x301/304, 2 mittellöcher versetzt

100er pack, innenhüllen für 12 inch vinyls, papier blau 80 g, gefu&#776,,,,ttert, ohne eckenschnitt, format 309x301/304, 2 mittellöcher versetzt

mit -galvany street- und der kombination aus modernen beats und sounds und 80er und 90er pop-referenzen, gelang booka shade in kooperation mit archive-sänger craig walker anfang 2017 das ambitionierteste werk ihrer karriere und das wichtigste seit ihrem meilenstein -movements- (2006). nun erscheint zum jahresabschluss ein superlimitiertes boxset mit 2xcd, lp, den drei 12--vinylen, sowie einer brandneuen pure audio bluray mit dem vollständigen album plus der extended version eines bonustracks in dolby atmos-mixes. kompatibel für alle bluray-player, erfährt man mit diesem für multikanal-filmsoundtracks entwickelten format eine einzigartige 3d-klangdimension und erhält zusätzlich headphone surround 3d-mixes für kopfhörer und hochqualitative stereo-dateien in 24bit/48khz. das boxset erscheint in edler, weisser vinyl-box mit schwarzer banderole (im original-album-artwork) und ist auf weltweit 300 stück limitiert.
- packaging: weiße stülpdeckelschachtel (316 x 316 x 30 mm) mit schwarzer banderole (im original-album-artwork)

inhalt:
pure audio blu-ray (dolby atmos mixes)
2cd galvany street (ltd. 2cd deluxe edition)
lp galvany street
12- babylon
12- numb the pain
12- loneliest boy/just like tonight

innenhüllen für 12 inch vinyls, papier blau 80 g, ungefuttert, mit eckenschnitt (damit kommt die plate leichter ins cover), format 309x301/304, 2 mittellöcher versetzt

20er pack innenhüllen für 12 inch vinyls, papier blau 80 g, ungefuttert, mit eckenschnitt (damit kommt die plate leichter ins cover), format 309x301/304, 2 mittellöcher versetzt

100er pack innenhüllen für 12 inch vinyls, papier blau 80 g, ungefuttert, mit eckenschnitt (damit kommt die plate leichter ins cover), format 309x301/304, 2 mittellöcher versetzt

innenhüllen für 12 inch vinyls, papier blau 80 g, ungefuttert, ohne eckenschnitt, format 309x301/304, 2 mittellöcher versetzt

20er pack innenhüllen für 12 inch vinyls, papier blau 80 g, ungefuttert, ohne eckenschnitt, format 309x301/304, 2 mittellöcher versetzt

100er pack innenhüllen für 12 inch vinyls, papier blau 80 g, ungefuttert, ohne eckenschnitt, format 309x301/304, 2 mittellöcher versetzt

previously unreleased album recorded live in rome, 1977. mastered from the original tapes. 180 gram double vinyl in gatefold sleeve with cd format as bonus.

mr. k returns to the 12inch format for the latest in his series of edits for most excellent unlimited, making the most of the long-playing wax with two contrasting cuts. first up is ike strongs boogie land, an obscure side that was originally released in 1981 and saw plenty of action at the paradise garage. krivit s edit is inspired by larry levan s technique in running the tune, focusing as larry did on the late-song breakdown before dropping into a stripped-down rendition of the undulating main groove, a boogie bomb to be sure! don t let the name fool you the enigmatic boogie man orchestra, stars of the flip side, are all about disco. the instrumental lady, lady, lady first appeared in dj sets in the summer of 75, the prime breakout year for disco, making its way from chicago all the way to clubs on both coasts despite having no national distribution. pre-dating the introduction of the 12-inch single, the song never saw release on the larger format, until now. krivit s edit takes advantage of the extended playing time by easing into the philly-style orchestral groove and letting it breath for a dramatic, building dancefloor moment.

as the head of grounded theory and manhigh, henning baer has since 2009 presented his downcast, experimental interpretation of modern electronic music to wide critical acclaim, establishing his forceful presence on berlin’s scene with immaculate curatorial skills and equally imposing dj abilities. his discography so far, concentrated on adam x’s legendary sonic groove imprint and his own k209 and manhigh imprints, amongst others, keeps step with his formidable reputation and wide-ranging tastes, moving across the spectrum of hard-edged, aggressively modern techno. with ‘shatterproof’, his long-germinating debut album for manhigh, he offers for the first time his unified vision in extended format, a varied exploration into the outer limits of the genre. at its centre a work of dark minimalism, he sets and maintains the pensive tone on ambient pieces like ‘angel dust’, ‘all over’, and ‘mil-std 461’, which foreground the exploratory electronics that maintain their presence throughout. the corroded textures of the sounds, enveloped in decaying reverb, bring life to pieces like ‘never ending’ or ‘bliss’, which sit between rhythmic interludes and the stricter dancefloor material found on the remainder of the album. once he shifts into techno, he does it unremittingly, from the uptempo fury of ‘code buster’ and ‘burning chrome’, whose starkness only heighten the tension, to denser pieces like ‘drama sky’ or closer ‘vermillion red’, where the cavernous impacts of drum hits punch holes through beds of seesawing synthesizers. shatterproof like its title suggests, henning baer’s first album unifies and strengthens the work of an artist whose legacy is already assured.

the newly founded picture: series of diynamic is a document in time, showcasing an artist s current creative output in order to allow the listener to visualise and understand the artist at a certain moment. it is not an album format, but far more than merely an ep. -picture:- is various dancefloor-oriented facettes of one producer, shaping the imagery that ultimately results in the listeners mind. the first episode of the -picture:- series is hosted by lehar.

after mukatsuku records summer hammond organ screamer from billy hawks (mukat 052) the label goes deep on an international funk tip. few years ago label manager nik played in france and the promoter pulled out a biosis now 45 that he never knew existed up till then and was generally thought to be a long album track only. an extensive search revealed nothing online including popsike/discogs/ebay except a tropical seller who d just bought a huge caribbean collection with the record included saying he d never seen it before either and he was keeping itâ&#128,¦failing to secure a copy themselves the label licensed it instead and created their own 45 edit which retains all the funk & soul of the elongated album version into a 7 inch friendly format. on the flipside and 1973 tumba safari from afro train get s a funky afrobeat re touch for peak time club play that would save you several hundred pounds on an original if you could actually find a copy !

in the year 2053, two japanese musical explorers by the names of katsuyoshi and yousuke, travelled to the city of breda in the netherlands. whilst drinking beers in a park near the train station, they stumbled upon an old, partially decayed usb stick, hidden behind a trashcan. with usb technology being long absolete by then, they had no way of checking what was on there until returning back home to tokyo, where yousuke still had a macbook from around the turn of the century tucked away under his bed. after retreiving the data, the stick turned out to contain two 128kbps mp3s of unreleased coco bryce material. utilizing an extensive and painstaking radiocarbon dating procedure, they managed to pinpoint the production date to the spring of 2017. the tokyo natives then proceeded to reverse the mp3s back to their initial wav format via state of the art 2053 audio technology, and emailed them to richy at binary feedback, who subjected the files to a spot of mastering. richy immediately recognised the tunes from a series of youtube id request videos that had been doing the rounds for the previous 36 years. being the shrewd business man that he is, he decided to contact rick sanchez, who in turn teletransported the tracks back to 2017, dropping them off at an undisclosed dutch pressing plant. romanian visual artist raw parigi was contacted to sort out the labels, after which the records were pressed up and distributed to shops across the globe, hopefully making their way into the homes of hundreds of jungle and drumfunk enthusiasts worldwide. amen

as a contrasting follow-up to our first single from rooteo & mahura’s metta album, the second single on made in green records keeps the format intact with entirely different results. deadbeat’s remix on part one was both respectful and subtly transformative, on part two, new york’s upcoming max mcferren, whose busy 2015 included eps on ultimate hits, allergy season, and 1080p, brings us a startling reinterpretation of album closer harmal very much in keeping with the vein of raw, aggressive house coming from brooklyn since that scene’s resurgence. the original version of harmal finishes the album in fine style, blending tablas, celestial electronics, and short melodica phrases that gradually swell with layers of vocal samples and orchestal pads before reaching a climax and slowly dying away in gradually receding layers of ambient electronics. mcferren’s remix leads off with only a bare framework of techno percussion. the entry of a sampled section of melody from the original signals a rapid transition to more abrasive territory, with sheets of metallic noise slashing through the high end, short vocal syllables stuttering, and an insistent bass pulse building up and breaking down with at least one element constantly in motion.

periodica records family member filippo colonna romano aka modula (naples, it) drops a weirdo, tropical, g’d up yamaha pss 780 fonk ep. riyl dam funk, prince b-sides, twisted dancers and cosmic oddities. first 10” format on firecracker for some time!

lumiÞreslanuit (alias lln) is glad to welcome back paris-based music composer, live performer and dj vadim svoboda for the 10th release of the label. in addition to be a close friend of the lln crew and a regular of the label’s showcases, vadim svoboda has also become a key artist of the label. indeed, it’s with him that it has all started, about three years ago, when he released his syntherapie ep (lln000) on the label. nine releases (plus one) later, we’re glad to have him again on board, this time with another format as he’s about to release his first album seed (lln009+1). seed is made up of two records: roots (vinyl 1: lln009) and canopy (vinyl 2: lln009+1). whereas roots sounds like a mini-album in the album where melodic and melancholic notes alternates with dark and strong beats, canopy seems - according to its composition - to refer directly to his syntherapie ep, even though the listener might find the same inspirations in both records.

for their 12th label anniversary, jazz & milk have decided to launch a new series called “twelve inch jams” in order to celebrate vinyl culture and the legendary 12&#8243,,, format! jams002 sounds the bell for the second round of the series including a 10 years re-issue of the classic sam irl cut “you don’t feel enough”. originally released as a b1 tune on his “african dance ep” debut on pulver records in 2007, this jazzy house gem found its way into the record bags of many influential djs over the years. from session victim, glenn astro, max graef to hodini… the record never disappeared in club sets but certainly from discogs a good while ago. so it was about time to give the tune a second life and finally press it on the format it deserves - a whole 12&#8243,,, side. the german production duo session victim are well-known fans of the track describing it as their secret weapon playing it in quite many dj sets for years, including their 2015 appearance for mixmag’s dj lab. hence, it is a great pleasure that session victim contributed a remix to the new release. their absolutely elegant and groove-driven version with a charming 90’s touch to it makes a brillant counterpart to the original with its jazzy piano-, drum- and double bass samples leading to an epic synth break that regularly causes ecstatic moments on the dancefloor.

dj and producer reggie dokes, along with detroit colleague brian neal, come together for a moving and soulful presentation: detroit luv ep. intertwining both house and techno elements seamlessly in homage to the detroit techno and house legacy. artist brian neal may be unknown to most, but he has been creating music for years. here we find the artist tapped by mr. dokes, presenting his music for the first time in vinyl format. this melodic, dancefloor material, is sure to bring brian neal to the spotlight.

this 12-, out on the limited-run livejam limited imprint, wants to propose three club-oriented cuts exctracted from john swing s debut album assorted moods , on a more dj friendly format. the 4th track on the ep, -bonus track-, is a previously unreleased raw house groover in typical john swing s style. 350 hand numbered copies.

zed bias is an electronic music pioneer, throughout his career he has traversed genres with ease whilst all the while retaining his signature sound. it was in 2016 that he debuted on exit records with a three tracker featuring zoe violet, the release was a sign of things to come. modern u.k. soul delivered in the 160bpm format, this aesthetic has now been developed with the different response album. it s the sound of zed bias in 2017, undeniable soul with one eye on the dancefloor. hes gathered a formidable feature list to voice the album artists from his native manchester and beyond all lend their talents to the album. label owner dbridge says of the release: an lp that fits perfectly in what i believe exit is about. artists creating music with soul and a sound uniquely their own. zed has shown again whats possible when you listen to your own voice

a new reference of the prestigious spanish techno label injected poison records. after a year since from her last release on vinyl, during this time, we have been able to see some of her releases in digital format, but, it’s vinyl time, we have generated enough waiting and now we can enjoy a powerful vinyl, with a magnificent work of art and design for collectors and four powerful tracks with 3 of the best producers of the techno scene. we are proud to welcome our well-known label partner christian w nsch and a new member of the pole group, p.e.a.r.l. at the vinyl we can listen two original tracks from the owner of the label, jose pouj, with two remixes of christian w nsch and p.e.a.r.l. the release date will be available in september. enjoy.